"Maybe years later the slut has the look of a woman who has lived somewhere before. She now knows the words for certain things, is familiar with three-day winds, the roads of Morocco, the strongholds of the British, the uses of kohl, the laying and folding styles of napkins for all sorts of tables, has heard music from instruments deep-bellied and two-stringed, cries that were songs, waves washing on rock, coral, and sand. She has pens filled with ink and some that are plumed. Slippers sewn with gold thread and pointed toes. Gum smelling of leaves. Oil in wax-sealed jars. Says "no" as a question after her sentences. Pedals backward to brake on a bike that only brakes by hand. Eats steak with a knife like it was a fork. Looks skyward for the grace of God. Digs in a garden with shards of broken bowl. Calls dogs with the clap of her hands. Trims her nail with a blade. Twists her hair and burns the broken, frayed ends. Rubs her teeth with hollow grass blades in the morning and night. Wears skirts that are scarves knotted at the hip. Writes in a leather-bound book. Totes a cat on her shoulder... Joins children at games on the street, throwing off her shoes and hiking up her dress, letting the girls try her perfume kept in a vial, applied with a stick to the small beating veins at their necks. She gives them names they have never heard before and tells them they are the words for tree, sky and lake in a country where the girls never bathe but are licked clean by cows."

-- Here They Come
Yannick Murphy